G.U.T. Feeling v4 (Radionics), installation view at the Bakken Museum, 2016

82.423.21, 32" x 40", 2016

Untitled (R/O/Y/G/B/S Burst), 21" x 15", 2016

Untitled (W/Y Burst), 21" x 15", 2016

Untitled (G/S/B/S Burst), 21" x 15", 2016

G.U.T. Feeling v4 (Radionics), installation view at the Bakken Museum, 2016

88.12, 15" x 21", 2016

81.49, 21" x 15", 2016

Untitled (G/S Concentric), 21" x 15", 2016

Untitled (B/G/Y/O/R Concentric), 21" x 15", 2016

Untitled (S/B/G Concentric), 21" x 15", 2016

G.U.T. Feeling v4 (Radionics), installation view at the Bakken Museum, 2016

94.11, 21" x 15", 2016

Untitled (B/G/Y/O/R Concentric), 21" x 15", 2016

G.U.T. Feeling v4 (Radionics), installation view at the Bakken Museum, 2016

G.U.T. Feeling v4: Radionics, Bakken Museum, 2016

I’m interested in the human aspects of science, the ideal of objectivity, and the cross-pollination between science and art. Throughout my residency at The Bakken, I asked myself, “What is the opposite of science?” And so far the best answer I’ve had is “magic.” The problem is, I love magic. I love science, too. And I think that’s why I fell in love with radionics—it’s equal parts science and magic. I tried to illustrate the invisible radionic lines with various markers. I did it freehand so it would look handmade and feel like a contrast to the otherwise scientific nature of the photographs. The result is a hybrid of the psychedelic and the scientific.